difficult being
human
leaning back on a wall
easy elbows
smiling
"yes, tell me more"
not saying "can i lick your face" or "i'd like to punch... some.."
drink a beer, relax.
Sunday, November 24, 2013
Monday, November 18, 2013
chance poetry
you told me you like chance poetry
i closed my eyes and threatened your nose
punching, blind, part aiming, part trusting: chance
you shout - the words are not my own- new words have come by
chance
"no" "stop" a laugh
"don't punch" "this isn't how it goes"
sometimes fists find you
when they don't
eyes closed,
nothing tells me where i am
where you are
laughing while i am lost
without your nose
sitting in bed
sitting, i sit
nested in: blankets pillows soft slab mattress - patterns
of knit and fabric print and the wall familiar
further out the sea )the floor is lava( and stars - glued lovingly to ceiling in
other days
i'll get up
in other days I'll get up
other days but now the wood floor must be cold, and laundry needs adjusting
laundry needs more than i - sitting in bed
further in: consideration: options are weighed, an unholy See )should i Rome(
options are weighed without argument. no merit. hamlet sits.
sitting. i sit. there is an impulse to rise, to walk, to go forth, but it is not an impulse
what is it? not an impulse. a thought? a possibility! there is a possibility.
why a possibility? a possibility does not move, does not become.
sitting, i sit, become aware of possibility, empty space where i am not
not standing not dressing not in the garden
nested in blankets with folds which are dry river beds where the floods rise
i sit aware i am not standing in the cold room where drafts are complaining at windows
howling angry shaking trees the winds which are pressure, air too big for staying: air becoming elsewhere
which i am not - sitting - for hours as the light draws in negative:
shadows on the wall which are not the light; apartments in the neighborhood which are not the light;
i am not the light have i got it in me, any of the light is it in me
is each possibility equal to each other:
i am not in the kitchen as i am not in the clouds
i am not in the kitchen as i am not in the clouds
am not the air though
i am bigger than this place -
i do not howl or shake the trees
though i imagine that door
beyond which i have greater possibility
i am not
i sit
Sunday, November 17, 2013
lay on my right side room winter bright
heard my laugh short sharp
why did he? noticed - dresser drawers:
10 all open, some an inch some two, and so on,
not one matched nor any sealed - i think - this is who i've
been lifelong, and am on waking, he with no drawers closed
and laundry spilling into
tomorrow
the hours are equal each, the hours are unequal every
one from the next divided holy from the unholy waking from the
unwaking each from each and next from next and those
from past
"veni" from "i will"
and with whom from with whomother from the
lonely ones spent not waiting - thinking merely
looking at the stars
one from the next divided holy from the unholy waking from the
unwaking each from each and next from next and those
from past
"veni" from "i will"
and with whom from with whomother from the
lonely ones spent not waiting - thinking merely
looking at the stars
Saturday, November 16, 2013
no views today
few hundred packs of words are in a barrel
back of store behind the nuts
most come for flour, eggs
back of store behind the nuts
most come for flour, eggs
Wednesday, November 13, 2013
Friday, November 8, 2013
because another day.
hot eyes are wetter than
afternoons in the sun - two boys in boxing gloves wax and wane at the treeline
at night no such distraction
trees in the dark and are you.
blue gloves and black gloves
was a month yesterday
i can jump rope or sleep
forgot though how to call
say 'please', 'yes', 'please'.
hot eyes are wetter than
afternoons in the sun - two boys in boxing gloves wax and wane at the treeline
at night no such distraction
trees in the dark and are you.
blue gloves and black gloves
was a month yesterday
i can jump rope or sleep
forgot though how to call
say 'please', 'yes', 'please'.
Tuesday, November 5, 2013
The one about expensive flatware
These two guys walk into a desert, right?
First guy says, sure is hot
Second guy says my arms sure are tired
He was an angel
First guy says let's bury our gold
Second guy says shouldn't we profit?
First guy raises an eyebrow
Second guy smirks
They high five
second guy flies away
Bartender says nothing over four percent
First guy marries the bartender's wife
everybody high fives
Second guy loses five gold plates in vegas
Works the late night circuit
as an inspirational speaker
Gets a lot of working girls pregnant
Swears he never touched them
looks at a cloud sometimes and
Winks
First guy says, sure is hot
Second guy says my arms sure are tired
He was an angel
First guy says let's bury our gold
Second guy says shouldn't we profit?
First guy raises an eyebrow
Second guy smirks
They high five
second guy flies away
Bartender says nothing over four percent
First guy marries the bartender's wife
everybody high fives
Second guy loses five gold plates in vegas
Works the late night circuit
as an inspirational speaker
Gets a lot of working girls pregnant
Swears he never touched them
looks at a cloud sometimes and
Winks
damn god damn
its always a flash
remember flinch explode god damn
that
one time - zigged
instead of
left or right or didn't lean over...
or groped when the door was a way to a home i had
or snows fell every year and i wasn't born most of those
and certainly made no angel - even the best man melted dare i
look now sideways
see the green grass where my mammoth's
gone
its always a flash
remember flinch explode god damn
that
one time - zigged
instead of
left or right or didn't lean over...
or groped when the door was a way to a home i had
or snows fell every year and i wasn't born most of those
and certainly made no angel - even the best man melted dare i
look now sideways
see the green grass where my mammoth's
gone
red faced and high pitched
or
eye jelly shines in the light - brightest thing in the room
should we smile? shall we hold to
this expectation or that old habit
in a dream, close photos of faces, mine and ?her - who?
a series, like strobe capture - had we been - yes - but was it secret
and the photos gone missing
something less of a dream - glances through the curtain - or -
that first time seeing you lit on the steps
of a diner or was it? that long
night cleaning and letting you go
to sleep in a car on broad street
i had a moment wanting to follow
a long tattoo
but I have a shell here
where the tide doesn't break
at night i listen at windows for coyote calls
or some jack london sign
i should be on my way
or
eye jelly shines in the light - brightest thing in the room
should we smile? shall we hold to
this expectation or that old habit
in a dream, close photos of faces, mine and ?her - who?
a series, like strobe capture - had we been - yes - but was it secret
and the photos gone missing
something less of a dream - glances through the curtain - or -
that first time seeing you lit on the steps
of a diner or was it? that long
night cleaning and letting you go
to sleep in a car on broad street
i had a moment wanting to follow
a long tattoo
but I have a shell here
where the tide doesn't break
at night i listen at windows for coyote calls
or some jack london sign
i should be on my way
Sunday, November 3, 2013
Squirming as he is placed within a box, the cat once placed
sits comfortably observing with his various faculties the history and declension of the times
often a period of transition demands resistance
he kneads clean laundry before settling to sleep
because like me he knows perhaps
ghosts reside in familiar things
sits comfortably observing with his various faculties the history and declension of the times
often a period of transition demands resistance
he kneads clean laundry before settling to sleep
because like me he knows perhaps
ghosts reside in familiar things
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